Click on orange piece titles for more information (score extracts, recordings, programme notes)
Upcoming...
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Slow Falling Rain (Hommage to Cassini)
('Pierrot' ensemble) Orchestral Overture |
Nocturne no. 3
(harp + electrtonics) |
2018
Five Duets Inspired by Five Liz Larkin Paintings
(violin & viola)
Written for Mandhira de Saram (violin) and Richard Jones (viola)
Commissioned as a gift on the occassion of Liz Larkin's birthday
(violin & viola)
Written for Mandhira de Saram (violin) and Richard Jones (viola)
Commissioned as a gift on the occassion of Liz Larkin's birthday
2017
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Nocturne No. 2
(percussion and electronics) Written for Joby Burgess for performance at the Cheltenham Festival Composer Academy Thursday Miniature
(solo bassoon) |
Tuesday Miniature
(string quartet) Written for the Ligeti Quartet - developed from workshops with them at the Cheltenham Festival Composer Academy |
2016
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Organ Voluntary
A fanfare to celebrate the signing of the register Written as a gift for Rachel and Dave Hodgins and Fay Line Drawings
(alto flute/piccolo, clarinet, piano, violoncello, double-bass) Written for Ensemble Variances as part of their commitment to Bristol New Music 2016 |
Books That Will Be Read
(solo horn and piano resonance) Written for David Bevan, commissioned by the CMV Series |
2015
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Diminuendi (Etude, Prelude, Response)
(saxophone (sop & alto) & electronics) Commissioned and premiered by Dr. Katherine Williams Three Rituals on Metal
(percussion quartet playing metal instruments only) Commissioned by the CMV Series of Concerts Completed in April 2014 but revised in winter with help from the Eastman Percussion Quartet |
Nocturne No.1
(guitar & electronics) Written for Tom Torrisi during a composition residency at the Eastman School of Music, Rochester, New York Bristol Fanfare, A Pocket Portrait
(three trumpets in either C or Bb) |
2014
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Sextet
For Ensemble MusikFabrik (flute, horn, tuba, violin, viola & violoncello) Commissioned by the Bristol New Music Festival Echoic Memories
(piano, violoncello & electronics) Commissioned by New Music in the South-West Premiered by the Bristol Ensemble |
Pre 2014
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The Interrogation of Adam Pollo
Chamber opera in four scenes for tenor, clarinet (Bb), violoncello & electronics. Premiered at Tête à Tête: The Opera Festival 2012 Sostenuto -- Misurato -- Prestissimo
Miniatures for tape in reference to Ligetti's Musica Ricercarta Eight Studies for Piano
Miniature technical studies for piano Nocturne: Pip Pip
Dedicated to Andrew 'Peregrine Vicissitude' Waters For solo piano |
Study for Horn & Chamber Ensemble
Written for Bristol New Music Ensemble (horn, flute, clarinet (Bb), alto saxophone, bassoon, percussion (one player, vibraphone, woodblocks, cymbal), violin, viola & violoncello) 2nd Study for Chamber Ensemble
(flute, clarinet (Bb), horn, percussion (one player), harp, piano, violin, viola & violoncello) |
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Into My Heart (A Shropshire Lad)
Staged song cycle for soprano, piano, tape & electronics Snareata
Written for Jonathan Godsall. For solo snare drum If I Were So Sure
Written for Gemini Ensemble Prepared piano, clarinet (Bb) (bass clarinet) & violin (viola) The Fourth Conference
For clarinet (Bb) & Percussion |
The Hardy Tin Soldier
Ballet for two dancers based on the Hans Christian Andersen fairytale For two percussionists, three violins, two violas, violoncello & double bass The Map Was Stitched With Threads of Thought
Written for CoMA South-West Open scored for 10 players Like As the Hart
Incidental music for Prosper & Queue With Andrew Beswick, a play in four chapters. Commissioned by the Hill House Collective for piano, trombone, male voice & percussive toys Ludo, Ludamus
A musical game for tape and four participants Available as a concert piece or installation |
